Funny gay movies 2016
At one point she declares, “May not a woman wish to see the world? To explore, to conquer? I would lure a thousand men to their doom on this wasted isle if you would send me one single woman to warm my cold-blooded heart for a night” (140). Mann also contributes The Siren’s Lament, a smart, quasi-mythological monologue that imagines Charybdis as queer and perpetually longing for more women to take to the sea. While funny, Breaking Bad News may detract from the radicality of queer identities. While this does not constitute “othering” in a xenophobic sense, it does create space for queer subjects to reflect, through resistance and difference, the deficiencies of heteronormativity in radical and productive ways.
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Numbers of LGBTQ individuals oppose, for example, same-sex marriage because they are committed to constructing new, non-heteronormative, non-patriarchal family structures. That, of course, is potentially problematic. Mann like many of her contributors refrains from “othering” LGBTQ characters. Mann intends to normalize the androgynous Sam by allowing her the trudge through the mundane muck of cliched, heteronormative relationships. It is not until the final few lines of the monologue that readers realize Sam’s children are pet dogs. According to the stage directions, Sam is an “androgynous woman” who breaks “some devastating news to her beloved children” (6). Breaking Bad News is the second monologue in the collection, and it succinctly encapsulates Mann’s comedic and dramatic sensibilities. Many of the writers in LGBTQ Comedic Monologues That Are Actually Funny contribute more than one monologue, and the best among them is Leah Mann. LGBTQ Comedic Monologues That Are Actually Funny is a clever, multi-faceted, and affecting text that has a place, albeit marginally, in the canon of queer texts. But to my delight, the content of this collection transcends those initial concerns. Be YOU! Take a monologue that is actually funny and DO IT!” While certainly not her intention, language such as “actually funny” suggests that some monologues in this collection are, in fact, not funny, so just pick the funny ones…you’ll see what she means. Near the end of the introduction, editor Alisha Gaddis writes, “So take this book.
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There is something inauspicious about both the title and the introduction to LGBTQ Comedic Monologues That Are Actually Funny.